Andy Warhol. Cologne Cathedral in yellow offset lithograph, circa 1985, printed in Germany by Hermann Wunsche, with original signature by Andy Warhol in Marker along the right edge. Framed
(Sight) 8.75x6.5 inches
(Frame) 21.25x17.25 inches 
Pickup category timeslot {A}

ORIGINAL SIGNED ANDY WARHOL PRINT

Ted Jones, (American). 1991. Girl on Ben. Dry pigment process. Signed in pencil at lower right, additional details penciled on verso. Generally very good condition, various imperfections. 
(Sight) 8.25&#34;x11.5&#34; 
(Sheet) 11&#34;x14&#34;
Pickup category timeslot {A}

TED JONES PHOTOGRAPH DYE PIGMENT PHOTOGRAPH

Joan Clemo (Canadian), &#34;Reflections In A Pond&#34; 1968. Original Acrylic and Oil on board. Signed &#34;J CLEMO/68&#34; (lower right). Also signed, titled, and dated on the verso. Housed in dark wooden frame. 
(Overall) 31&#34;x41&#34;
Pickup category timeslot {A}

JOAN CLEMO, “REFLECTIONS IN A POND”  

[John] GodFrey, &#34;Dawn- New Toronto Street Oct 1979&#34; Acrylic painting on canvas of an urban Toronto street in the early hours of the morning. An amazing and large unframed painting ready for your home or office. 
(Overall) 32&#34;x48&#34;
Pickup category timeslot {A}

[JOHN] GODFREY NEW TORONTO STREET 1979

Henry Matisse (France 1869-1954), &#34;Head Of A Woman&#34;. Original Lithograph on paper. Limited Edition. Printed in 1951. Framed. Matisse is considered one of the undisputed masters of 20th century art. *Not A Reproduction*
(Sight) 10&#34;x7.25&#34;
(Frame) 17&#34;x13&#34;
Pickup category timeslot {A}

HENRY MATISSE, HEAD OF A WOMAN 

Joan Clemo (Canadian), &#34;Life&#34; 1967. Original Acrylic and Oil on board. Artist signed &#34;JCLEMO/67&#34; (lower right). Also signed titled and dated on the verso. Housed in dark wooden frame. Some scratches on the edges of the frame. An impressive large scale abstract painting. 
(Sight) 29.75&#34;x24.5&#34;
(Frame) 34.5&#34;x29&#34;
Pickup category timeslot {A}

JOAN CLEMO “LIFE”

Harold Llyod Lyon (Canadian 1930-2020), &#34;One Prairie day&#34;. Oil on Masonite. Framed. Provenance, Consignor Canadian Fine Art.
(Sight) 8.5&#34;x11.5&#34;
(Frame) 14&#34;x17&#34; 
Pickup category timeslot {A}

HAROLD LLYOD LYON, “ONE PRARIE DAY” 

ANDY WARHOL (American, 1928-1987)
&#34;Flowers&#34; series
Silkscreen
Circa 1990
35.25&#34; x 35.25&#34;

Original Andy Warhol silkscreen. Verso with stamp (“published by Sunday B Morning”) and “fill in your own signature.&#34; 

&#34;Perhaps the most iconic works by Andy Warhol in the 1960s, are the series of silkscreen editions that he produced depicting Marilyn Monroe, Campbell&#39;s Soup Cans, and Flowers. Limited to just 250, these iconic editions came to be known as the &#39;Factory Editions,&#39; after the vast studio that Warhol and his collaborators occupied in midtown Manhattan.
     In 1970, following the success of the Factory Editions, Warhol began collaborating with a Belgian print studio called Sunday B. Morning, with the intention of running further editions from the original screens and colour codes for a European market. These prints were stamped in black ink on the back to say, &#39;Fill In Your Own Signature.&#39; As a Pop Artist, Warhol was interested in disrupting distinctions between mass media and high art. By inviting the owners of these prints to sign the works themselves, Warhol was challenging the idea of authorship.
     Sunday B. Morning began publishing the prints again, after many years, in the late 1990s. All these prints are also stamped - now with blue ink - on the verso, with the inscriptions &#39;fill in your own signature&#39; and &#39;published by Sunday B. Morning.&#39;
     While ownership of Sunday B. Morning has changed hands a few times, the open edition prints are still published by the original printers in Belgium, using the same screens and printing process that they have used since their inception.&#34;
(From Andy Warhol & Sunday B. Morning)
Pickup category timeslot {A}

ANDY WARHOL, FLOWERS

ANDY WARHOL (American, 1928-1987)
&#34;Flowers&#34; series
Silkscreen
Circa 1990
35.25&#34; x 35.25&#34;

Original Andy Warhol silkscreen. Verso with stamp (“published by Sunday B Morning”) and “fill in your own signature.&#34; 

&#34;Perhaps the most iconic works by Andy Warhol in the 1960s, are the series of silkscreen editions that he produced depicting Marilyn Monroe, Campbell&#39;s Soup Cans, and Flowers. Limited to just 250, these iconic editions came to be known as the &#39;Factory Editions,&#39; after the vast studio that Warhol and his collaborators occupied in midtown Manhattan.
     In 1970, following the success of the Factory Editions, Warhol began collaborating with a Belgian print studio called Sunday B. Morning, with the intention of running further editions from the original screens and colour codes for a European market. These prints were stamped in black ink on the back to say, &#39;Fill In Your Own Signature.&#39; As a Pop Artist, Warhol was interested in disrupting distinctions between mass media and high art. By inviting the owners of these prints to sign the works themselves, Warhol was challenging the idea of authorship.
     Sunday B. Morning began publishing the prints again, after many years, in the late 1990s. All these prints are also stamped - now with blue ink - on the verso, with the inscriptions &#39;fill in your own signature&#39; and &#39;published by Sunday B. Morning.&#39;
     While ownership of Sunday B. Morning has changed hands a few times, the open edition prints are still published by the original printers in Belgium, using the same screens and printing process that they have used since their inception.&#34;
(From Andy Warhol & Sunday B. Morning)35.25&#34; x 35.25&#34;
Pickup category timeslot {A}

American International Pictures Movie Poster. For GHOUL-ARAMA 1970. Which featured four films. Including Edgar Allen Poe&#39;s The Oblong Box, With Vincent Price and Christopher Lee. Edgar Allen Poe&#39;s The Conqueror&#39;s Worm also with Vincent Price. Horror House with Frankie Avalon. And finally, The Crimson Cult with Boris Karloff and Christopher Lee! Generally in good condition with bright colours. Some soft folds. Framed. 
(Overall) 44&#34;x30&#34;
Pickup category timeslot {A}

AMERICAN INTERNATIONAL PICTURES, GHOUL-ARAMA 1970

Town, Harold; Silcox, David P. TOM THOMSON: THE SILENCE AND THE STORM. [LIMITED EDITION] Toronto: McClelland and Stewart, 1977. Oblong folio. Full brown suede boards, in Mylar jacket. Upper and spine stamped in gilt. All edges gilt. Illustrated with tipped-in colour plates. Housed in brown cloth slipcase. Limited edition #81/135, signed by Town and Silcox, bound with original signed lithograph portrait of Tom Thomson by Harold Town. Generally very good condition. WITH ORIGINAL PACKAGING.
Pickup category timeslot {A}

TOM THOMSON BOOK WITH ORIGINAL HAROLD TOWN LITHOGRAPH

<p>Alfred Joseph Casson (Canadian, 1898 - 1992), "Rapids". An attractive Colour Lithograph of a river rapids in the woods. Limited Edition Lithograph on paper (468/700). Initialed by Casson in pencil (lower right margin). (Sheet)25.5"x30" (Sight) 17.5x21 inches (Sheet) 25.5x 30 Pickup category timeslot {A}</p>

A.  J. CASSON &#34;RAPIDS&#34; SIGNED LIMITED EDITION

Kent Monkman (Cree First Nations 1965-), "Treaty Rights On Iskonikan Left Over Land". Offset printing medium. Issued for Art Toronto in a Limited Edition. Kent Monkman is a Cree artist who is widely known for his provocative interventions into Western European and American art history. 
(Overall) 17"x12"
                
Pickup category timeslot {A}

KENT MONKMAN, &#34;TREATY RIGHTS ON ISKONIKAN LEFT OVER LAND&#34;

Francis Caprani (Irish/Canadian 1950-), &#34;Abstract multimedia still life with bowl of fruit&#34; 1986. Gouache pastel mixed media on paper. Framed in a very expensive oak shadowbox frame. Previously hung a the offices of the Rivoli restaurant on Queen st West Toronto. 
25&#34;x33&#34;
Pickup category timeslot {A}

FRANCIS CAPRANI, ABSTRACT STILL LIFE 

Dong Kingman ( American) &#34;New Dawn&#34; Colour lithograph on paper. Limited edition signed and numbered for the United Nation.
11x8.5 inches
Pickup category timeslot {A}

DONG KINGMAN “NEW DAWN” LTD ED ART PRINT 

Georg Braun & Franz Hogenberg. &#34;Nordovicum Angliae Civitas&#34; Printed in 1581! hand coloured engraving on paper. Text verso center fold. A rare and early map from the first Atlas of World Cities.
15.5x21 inches
Pickup category timeslot {A}

16TH CENTURY MAP OF NORWICH FROM 1581

Charles Cobelle (France 1902-1994), &#34;La Seine&#34; Colour lithograph signed in the plate (lower right). Turquoise matte. Period green painted frame. Some chips and scratches on edges of frame. 
(Sight) 21&#34;x30&#34;
(Frame) 33&#34;x41&#34;  
Pickup category timeslot {A}

CHARLES COBELLE

Unidentified artist entrance to the agora pencil and Gouache on paper elegantly framed in a guilt, gesso frame, delicate and highly accomplished original drawing circa 1820
19&#34;x12.5&#34;
Pickup category timeslot {A}

AN EXQISITE 19TH CENTURY DRAWING &#34;ENTRANCE TO THE AGORA&#34;

Jerry Roslert[?], &#34;Indonesia&#34; 1990. Original black and white photograph. Artist signature signed (lower right). Title &#34;Indonesia &#39;90&#34; (lower left). White matte, black frame. Irving Posluns Toronto Photo Studio Label verso
(Sight)15.25&#34;x15&#34;
(Frame) 26.5&#34;x19.5&#34;  
Pickup category timeslot {A}

EXHIBITION PHOTOGRAPH INDONESIA &#39;90

Hattie Squire, &#34;Active Coburg&#34; 1887.  Oil on paper scence of a lake at sunset. Acanthus-Gilt frame. 
(Sight) 7.5 x 5.5 
(Frame) 13 x 10.75 
Pickup category timeslot {A}

HATTIE SQUIRE, &#34;ACTIVE COBURG&#34; LAKE ONTARIO?

Guy Allen [Canadian], &#34;Motel Pool&#34;. Black and white photograph. Ready to hang. A piece of Toronto history, previously hung at the Rivoli pool hall. 
(Sight) 12.25&#34; x 17.75&#34; 
(Frame) 19.5&#34; x 25&#34;
Pickup category timeslot {A}

GUY ALLEN, &#34;MOTEL POOL&#34;

[Artist Unknown] &#34;Monotype Print #54&#34; Abstract monotype with muted colours matted and in frame. Signed lower right corner. Ready to hang. (Sight) 14.75&#34; x 10&#34; (Frame) 26.5&#34; x 20.5&#34;. This piece was provided by Martin Kohn & John Shnier architects for &#34;House For Piranesi At Hadrian&#39;s Villa&#34;. A piece of Toronto history, previously hung at the Rivoli pool hall. 
Pickup category timeslot {A}

RIVOLI QUEEN STREET COLLECTION, MONOTYPE PRINT #54

Lucha Libre Poster 1987. Campeonato Mundial Octagon Y Porky VS. Vampiro Casanova. Silkscreen on paper. 
(Overall) 30&#34;x21.75&#34;
Pickup category timeslot {A}

LUCHA LIBRE POSTER SILKSCREEN ON PAPER

Alfred Joseph Casson (Canadian, 1898 - 1992), &#34;Magnetewan&#34;. Colour Lithograph  of a majestic rock face. Limited Edition Lithograph on paper (468/700). Initialed by Casson in pencil (lower right margin). 
(Sheet)25.5&#34;x30&#34;
(Sight) 17.5x21 inches
(Sheet)25.5x30 inches 
Pickup category timeslot {A}

A J CASSON &#34;MAGNETEWAN&#34;. SIGNED LIMITED EDITION

Toronto (Ontario, Canada) PARTNER MANAGED  Estate Art Online Auction - Spadina Road (CONDO)

sight_width_in

sight_height_in

sheet_width_in

sheet_height_in

print_type

Hand-coloured copperplate engraving of the Paris Panthéon, printed by Cher Basset, Rue St-Jacques No.64, sight 9.5"×15.25", sheet 14"×20", age toning, scattered foxing, margin wear

Hand-coloured engraving "Vue du Panthéon" (Paris), c.18th C, sight 9.5×15.25 in

Full sheet view showing entire engraving with margins

Close-up of left section showing architectural detail and foxing

Early coloured print showing the Panthéon and surrounding square with figures in period dress; strong original colouring, cream wove sheet with browned edges and several foxing spots

18th-century hand-coloured engraving "Vue du Panthéon"

18th Century views of Paris, &#34;Vue Du Pantheon&#34;. Hand Coloured Engraving. Printed by A Paris Cher BASSET, Rue S&#39; Jacques no. 64. This engraving dates from a period when the Pantheon was a prominent architectural landmark. Condition typical of its age.
(Sight) 9.5&#34;x15.25&#34;
(Sheet) 14&#34;x20&#34;
Pickup category timeslot {A}

Bid Date	Bid Amount
Sep 18, 2025, 11:41:58 PM	$52.00
Sep 18, 2025, 11:41:38 PM	$47.00
Sep 18, 2025, 11:40:20 PM	$42.00
Sep 18, 2025, 11:40:20 PM	$40.00
Sep 18, 2025, 11:39:54 PM	$38.00
Sep 18, 2025, 11:39:40 PM	$35.00
Sep 18, 2025, 11:39:40 PM	$34.00
Sep 16, 2025, 2:56:23 PM	$31.00
Sep 16, 2025, 2:56:19 PM	$28.00
Sep 16, 2025, 2:56:20 PM	$28.00
Sep 16, 2025, 2:32:32 PM	$25.00
Sep 16, 2025, 2:32:32 PM	$22.00
Sep 16, 2025, 1:54:35 AM	$21.00
Sep 15, 2025, 1:22:21 AM	$18.00
Sep 15, 2025, 1:22:21 AM	$15.00
Sep 15, 2025, 1:22:12 AM	$11.00
Sep 15, 2025, 1:22:12 AM	$10.00
Sep 15, 2025, 1:22:08 AM	$7.00
Sep 15, 2025, 1:22:08 AM	$6.00
Sep 15, 2025, 1:22:03 AM	$5.00
Sep 15, 2025, 1:22:03 AM	$4.00
Sep 15, 2025, 1:21:58 AM	$3.00
Sep 15, 2025, 1:21:58 AM	$2.00
Sep 13, 2025, 1:34:13 PM	$1.00

All items closed

18TH CENTURY HAND COLOURED ENGRAVING, VUE DU PÁNTHÉON

Description

Only Available Pickup Date/Time: Sat, September 20 2025
Category A: 10:00 AM - 01:30 PM

Pickup Location: Spadina Road, Toronto, ON, M5R 2S9 View Map (opens in new window)

All items closed

18TH CENTURY HAND COLOURED ENGRAVING, VUE DU PÁNTHÉON

Description

Questions and Answers

Auction Details

Only Available Pickup Date/Time: Sat, September 20 2025 Category A: 10:00 AM - 01:30 PM

Pickup Location: Spadina Road, Toronto, ON, M5R 2S9 View Map (opens in new window)

Bid History

Terms & Conditions

Only Available Pickup Date/Time: Sat, September 20 2025
Category A: 10:00 AM - 01:30 PM